Home>Poetry Titles>In the Library of Lost Objects>
In the Library of Lost Objects by Noel Duffy£7.99 £7.49 inc. UK pp
Release date: June 2011
Facebook link Link to twitter
Novellas & Short Fiction
Author search
Kindle ebooks

Book Clubs

Book cover

Trade: Central Books

Author picture of Noel Duffy

In the Library of Lost Objects

Shortlisted for the Strong Award 2012

In the Library of Lost Objects has been selected by the poet and judge Peter Sirr  to go on to the shortlist of 4 for the Strong Award for the best first collection by an Irish poet.

Also Shortlisted for Patrick Kavanagh Prize 2010

In the Library of Lost Objects was shortlisted for the 2010 Patrick Kavanagh Poetry Prize for the best unpublished first collection by an Irish author, receiving a special commendation from the judge, Brian Lynch. It contains a selection of poems which won the START Chapbook Prize and others which won the The Firewords Poetry Award. Between these covers you will find more prize winners and poems that have appeared in literary magazines and anthologies and have been broadcast on RTÉ Radio 1.

Critical Review

A striking feature is the author’s fascination with (and enthusiasm for) the sciences, formal and natural, embracing mathematics, physics, geology, astronomy, and the examination of flowers, birds and insects. Having studied physics himself, Duffy is well-placed to use scientific argot, and he doesn’t shy away from mining such rich and rare vocabularies to good effect, following in the illustrious footsteps of other scientist-poets: immunologist Miroslav Holub; biochemist Jean Bleakley; polymath Mario Petrucci and fellow physicist Iggy McGovern.”

Maeve O’Sullivan, Orbis: Autumn 2011

“Noel Duffy’s choice of title for his debut collection is a good early omen. It neatly and precisely draws together the books deepest concerns… ‘Baltic Amber’ does the kind of stitch-work that most books only dream of having. So many threads find a common ground here… the preserved ant an ideal symbol of poetry’s work of consecration, restoration and survival… Duffy’s work is rooted in a deep study of his medium and the poems in In The Library of Lost Objects work in concert in a way very few books achieve.”

Dave Coates, Magma 51: winter 2011

In this collection, the poet’s scientific background is brought to bear on his poetry as interesting connections are made in a universe where the legacies of the past pervade the present… Nature is present in many guises: awe- inspiring, hideous, watchful and yet, at the same time, non-seeing… This collection isn’t only about lost objects, but also about lost feelings and human frailty in the face of constant change.

Poetry Book Society: Summer Bulletin, 2011

Duffy understands poetry, it’s his tradition; he obviously loves it and has curatorial urge to see it thrive. He exhibits only the good stuff, the best work, there’s no small talk, no gimmicks, nothing insincere, he just gets down to the heart of things and gives us poems that matter.

Grace Wells, Poetry Ireland Review

A tremendous sense of ease, of fullness, informs these poems, both individually and as a collection. It suggests they have been allowed to ripen over a long period into their appointed shapes. They present themselves to the reader at exactly the right moment to be picked, full of flavour, the indefinable flavour of how things are…

Here you will find the human mysteries of knowledge, endurance, memory, fate, absence, inseparable from the vivid images in which they are held: stone, bee, daisy, book, ring, dragonfly, photograph.

Form and content seem perfectly fitted together, but it is not a comfortable fit. Loss is integral to all the poems: they all seem written in ‘The Silence After’. But the silence is also the silence before: before ‘the distant, steady thunder of the lock’; before the empty hive. And it is also the silence in between; the silence of the ‘morning of remission’, of ‘the silent hours till I give up / the ghost…’. This silence, this space the poems create around their content, gives them their great authority.

The phrase on which the poem ‘Bella’ ends holds true for the whole collection: ‘It will know you.'

Mark Roper, adjudicator in the START Chapbook Prize

About the Author

Noel Duffy was born in Dublin in 1971 and studied Experimental Physics at Trinity College, Dublin, before turning his hand to writing. He co-edited (with Theo Dorgan) Watching the River Flow: A Century in Irish Poetry (Poetry Ireland, 1999) and was the winner in 2003 of the START Chapbook Prize for Poetry for his collection, The Silence After. His work has appeared widely in Ireland, as well as in the UK, the US, Belgium and South Africa. More recently he was the winner of the Firewords Poetry Award and has been a recipient of an Arts Council of Ireland Bursary for Literature.

Noel holds an MA in Writing from the National University of Ireland, Galway, and has taught creative writing there and at the Irish Writers’ Centre, Dublin, and scriptwriting at the Dublin Business School, Film and Media Department. He currently lives in Dublin.

Page last updated 31-Jan-2022 | © Wood Ward Press 2010 | Contact us | Privacy | About us | Terms & Conditions